Jury completed, and first rehearsal for Dido and Aeneas done as well! Not to mention I got free ice cream from the sweet guy working at Coldstone who told me I was pretty before I left and gave me extra oreos :3 <3 What a great day!!! ~<3
Something I always try to keep in mind when someone is treating me with disrespect is: the only reason they are acting this way is because they are hurting inside, there is something in their life that is causing them to be unhappy and so they are projecting this upon me. At least when I am very sure that I haven’t said anything offensive and when I know I have been treating the other person with the utmost respect and kindness. I do not think that it is possible for someone to be unkind towards someone else if they are truly happy with themselves. So instead of being angry, I try to keep calm and instead, feel pity for them.
Though, I have to admit, when I feel so much unkindness around me, it makes me want to retreat into my safe haven of books, music, and my tightly-knit friend group whom I can trust. But I know that to really progress as a person I need to branch out and meet many different kinds of people, in all stages of life with personalities lined up on all sides of the spectrum…
Anyway, just a thought. I feel that writing this post has helped me clear my head a little.
So why don’t we just try being kinder to people? It doesn’t hurt to be friendly, and afterall, there is so much you can get out of contact with different people, even if you don’t know them well. It’s not hard to be nice.
Alright! I’ve been out of town for the past week (more details will come soon), so I haven’t been posting much (not that I do anyway ahaha). Here is Sheik’s Theme from the Legend of Zelda! Kevin thought it would be a great way to sum up all the ocarina songs we recorded :) Enjoy! <3
Alright, so these are just my personal notes, so they are a bit cluttered, but these are notes I took on Professor Herbert Greenberg’s discussion session on orchestral auditions! I had the wonderful opportunity to be coached by him and attend his discussions last summer at the PRISMA International Music Festival in B.C. Canada! :) Anyway, like I said, I might have misheard some things and these are just my personal and messy notes that I took, but I hope that they may be of some use! :) Enjoy! <3
Camp Notes from Professor Herbert Greenberg
US-more emphasis on excerpts
Europe-more emphasis on concerto
First two rounds of audition are without the conductor
Different set of judges each round
The voting system is ‘yes’ or ‘no’, not a point system
Judges will be tapping pencils backstage to make sure you’re on tempo
Sometimes judges have egos and can be intimidated by your playing, don’t let this affect you
PLAY IN TIME
Most important things are 1) rhythm 2) intonation 3) dynamics
Have the bow distribution just right
Play the composer
Be VERY clean
Study yourself, (make recordings, make several copies of the score, then mark them with colored pencil to see what common mistakes are in the takes) criticize every single thing
Count/’play’ the rests
Practice everywhere, know how to adjust to different acoustics
Engage people, make them listen
Teach the committee: they think they know the way it’s supposed to be
But, you can also play it safe… If they ask for Bach, don’t do chaconne because there’s too much interpretational leeway. It’s safer to do a gigue or preludio.
“If you don’t get in, you can still get in” Keep trying.
Be in charge at the audition. Think “I’m going to get the part”. Be the boss, “otherwise the people behind the screen will be the boss”
Don’t make the same mistake twice, problems can be solved. Use your brain. One step at a time. Practice the right way.
Try practicing with opposite bowing
Dynamics are relative. Plan ahead.
The word crescendo doesn’t work. Write the sign.
FINGERING IS IMPORTANT (avoid string crossings as much as possible)
Think about the ends of notes
Don’t move too much. (Don’t wear a ponytail cause then they can easily tell)
Keep your feet on the ground
***You waste practice time just playing through things
Get an excerpt book! Some very important excerpts: Don Juan Brahms 3, 4 Mendelssohn Scherzo Mozart 39 Beethoven 9 slow movement
The more prepared you are, the less nervous you’ll be
Play for as many people as possible
Play a really long bow to warm up (Gingold could hold it for 5 minutes… try this while watching TV)
Work excerpts all the time, don’t stop practicing them
On orchestral playing: match the winds because the audience will think that you’re the one that’s out of tune
From February 20-25 I embarked on an epic adventure with the most friendly and amazing choir ever! <3 I got to play some really great music in addition to seeing some very beautiful places while meeting some really incredible people. Here are only a few snapshots of this wonderful trip, but everything that happened in between will definitely be cherished in my memory. <3 I hope I will do something like this again in the future! I really can’t wait to visit more exciting places and experience new things!! :D
Hello dear fans! Sorry about the 2 week delay. School’s been really busy, but we are officially back. For this week, we recorded the Hyrule Town theme from T…
KimKev’s recording of Hyrule Town from the Minish Cap! Ahaha, I was a bit tense from a long day of playing so please excuse some rough sections XD Otherwise, enjoy this silly/upbeat piece from one of the best game franchises ever!
You can find more video game covers on our YouTube channel here: